Posts Tagged ‘Record Label’

Bebin Office 43

Tuesday, November 24th, 2009
BEBINTV asked:


www.bebin.tv - What does it take to start a record label? … persian comedy young farsi office funny satire tiam raha mani masoud

B9 Messages

Tuesday, November 24th, 2009
ChrisB9 asked:


Reasons #103, 104, 105 + 106 NOT to start a record label. … bridge nine b9 ******** phone calls trustkill

Today’s Music Biz: #2 Outrageous reason to start a record label.

Sunday, November 8th, 2009
Simbizinfo asked:


www.succeedinmusic.blogspot.com What are some of the sneakiest trick of some record labels? Here’s reason number two of 10 the Top 10 OUTRAGEOUS reasons to start your own record label.

Should You Start A Record Label In This Climate?

Saturday, November 7th, 2009
hagopt07 asked:


startrecordlabel.com Something that many artists are considering is to Start a record label. But is now a good time to do it? What about downloading - how does it affect thing? Check out this video keynote with online music marketing expert Hagop Tchaparian

HiPhidelity Is Born

Saturday, November 7th, 2009
HiPhidelity asked:


A down on his luck HiPhi is persuaded by a friend to start a record label. … HiPhidelity HiPhi ilovebetty

Kristen Stewart interview (audio) CONFIRMING dakota and her will be in the runaways

Friday, November 6th, 2009
MizHoLLywOOd18015 asked:


they have nothing to say, yeah. You’re not concerned about that image at all because of all the young girls who are crazy about you? Kristen: Joan is such a remarkable role model for any young girl. I mean, she was the first female to start a record label. She was so young, if not eighteen I think she was in her early twenties. She’s an activist. She’s a feminist. She’s a great role model. Are you going to be doing your own singing? Kristen: I don’t know yet, to be honest. I want to very …

Start a Record Label - What you need to know about Publishing!

Tuesday, November 3rd, 2009
TheHipHopSchool asked:


Music Attorney Jordan Williams founder of www.TheHipHopSchool.com breaks down publishing and how not to get jerked!

Plan B trick tips : Overcrooks

Thursday, October 29th, 2009
TRACE703 asked:


Jermey Rogers showin you how to do back overcrooks. he has officially retired from skateboarding and now is trying to start a record label called PMP records. … skateboard kickflip over crooks eli shackelford manassas virginia dvs jermey rogers

The Main Reasons You Are Not Getting A Record Deal

Friday, August 14th, 2009
ShonnyBoy asked:


For mostly stupid reasons, a lot of unsigned artist might feel that getting a record deal with a major or independent label is easy to do, and with a contract success will be guaranteed. And to do this, they feel that all they have to do is send out a few demos and BAM there it is like magic, but thats not the case cause over a million artist send in demos every year and over a million are rejected. So I will give you the major reasons why.

Reason Number 1 - Sending Unsolicited Recordings

Sending Unsolicited Recordings before you send out any demo packages you must always call, email, mail or fax the record label and ask permission to send in your demo package, cause most record companies do not accept demos just sent out of no where, just for the simple fact that you can send them your demo, and then a month later an artist comes out with a song similar to yours, and then you would be able to sue cause you could say that they got the idea from the demo that you send in, so for the record companies protection they keep track of whos demo CDs that they listen to, just to protect them from a lawsuit (note that all unsolicited demos will be returned without being opened) so dont waste your money on mailing the CD.

Reason Number 2 - The packaging

The next reason has to do with demo packaging cause 50% of all the demos sent out to record labels, look cheap with tape all over the envelope, or some messy hand writing with graffiti of their Rap group on the front and back, and the envelope without a return address are some of the main symptoms of poor packaging, but an overall poor quality in the packaging of the demo and the package will not be opened regardless of the music, cause they feel that if the package is of poor quality then the music and the artist are also of that same type of quality.

Reason Number 3 - Your press kit is weak

This one has to do with the contents of the package, as far the press kit it self cause this is what they look at first, before playing your demo. The press kit must include a biography, an 8×10 photo of the artist or group, and a demo cd, the first parts of the press kit are the most crucial to getting your song played, and the first of the two which is the picture and this needs to be of a good quality as far as the look of the picture and the quality of the paper.

(Please do not use a picture printed from your computer, Which may cause automatic rejection)

And the other part is the bio and after glancing at your picture and only if the picture is acceptable they will then begin to look at your bio and this should be a good look into the people behind the music, including where they came from, how they started in music, what they have done, in music and where they plan on going with their music.

(Please do not hand write your bio, For which may cause automatic rejection)

A failure to make a quality press kit will definitely hurt your chances of getting your cd played, and that is only half the battle, so it would be advised that you duplicate a good cd with printed labels.

(Please no handwriting on the cd)

Reason Number 4 - No Contact Information

No Contact Information on any thing. All material sent out must include the same contact information as far as your name, address, email, and phone number on the bottom of your bio, place this information on the bottom of the picture and on the demo CD, plus try to include a business card as well. Basically saying that, if the record labels do not know how to reach you, then they wont reach you. So it would just be a waste to even listen to the CD if they cant call you back.

Reason Number 5 - Your demo is wack

Now that we have gotten the A&Rs attention it now boils down to the demo CD, and first of all if your demo is wack then thats just it you are totally wack dont get mad or complain just accept it and move on to a new career, but if you are not wack and just misunderstood then the next few reasons should help you out of a slump.

Reason Number 6 - Poorly Recorded Material

Number 6 is a reason that sometimes is beyond an artists control, and it has to do with the quality of the recording of the CD, and its due to the fact that the recording industry is like the car industry, where the more you pay for a car then the better the car functions, but all cars not matter how much you pay do the same thing, Drive! And thats the same in music with studios where the expensive ones function better than the garage studios, but they basically do the same job.

So the main ways to record good music no matter where you record, is to first remember sound levels, please do not record your vocals or the beat to loud into your computer and do not burn the CD with the songs very loud, cause it would be better to turn up the volume on a low volume song than it is to turn down a song where the sound is to distorted from being burn on the CD to loud, and another sure fire way get a good sound is to find a good engineer to mix down your music. Plus it is always a plus to consider some digital mastering which would in turn make your CD ready for radio or video play.

Next in this section I want to talk about the format of the songs and how the vocals were recorded. Like 3-4 double and ad-lib tracks covering the main vocals of the song so the listener can barely understand, another bad thing is to have to long of an intro into the song where the beat is just playing or the artist is just talking for more than 8 bars. Then you need to cut that out of all your songs (demo wise) and get straight to the point weather you put a hook first or you start with a verse, do not let the intro go on for more than 4 bars.

Reason Number 7 - Picking the wrong type of songs

Reason number 7 has to do with you picking the Wrong type of songs to put on your demo CD, and the worst type of song off the top is a slow song. Unless you are vocalist and your main focus is to sing slow songs or ballads for the market that your are trying to sell records in, then it is best to be avoided especially if you plan on entering the mainstream market of record sales, cause in this business of music a majority of the time, it is accustomed to record singles for radio play, cause lots of radio play equals a high number of record sales for that album, and if an A&R cannot envision your music on the radio or playing in the club.

They would not be able to see you as an artist that can sell records. Now just try to think about how many slow songs are big on the radio right now. Not to many huh? Another thing to consider when choosing the songs for your demo is to eliminate to explicit lyrics from the music cause it kills all chances of it being played on the radio. I even remember an instance where a certain well know A&R took a demo he received to a club the same night he got it and had the Dj play the song to watch the crowd react to the music, and the response was so good that he signed the artist to a major label deal two days later. So you need to be ready.

Reason Number 8 - To many songs

Now we are at number 8, and it is to have too much material, just remember that a demo CD is not an album, so you do not need to put any skits on your demo or long shot outs to your crew and then do not put To much material on your demo, just because you and your friends think that all the songs are equally good, please dont fool your self, cause when you put to many songs, you start to test the patience of the A&R and it first shows a lack of professionalism and more of a desire to have your music heard than it is a desire to sell records.

Believe me that there is a big difference between the two. So try to understand that record companies are working hard to sell records and they are not here to share the art of music with the world. So just try to limit it to 3 or 4 songs and nothing over 5 minutes long.

Reason Number 9 - Sending The Wrong Music To The Wrong Label

Now we have reason number 9 and this one happens quite a lot and its when an artist sends their demo to any record labels and it has to do with reason number 1 where you need to call the labels and find out if they produce your type of music. Cause wouldnt it be a waste of time for a country singer to send her demo to def jam records. Where there will be a very high chance that she will be rejected due to the fact that this certain record company might not produce or even know how to market and sell that certain type of music. But then again the major labels can handle pretty much anything.

Still it is advised that you do your research by going on the companies websites and check the rosters of artist that have already signed to the labels and see if your style of music fits in or if there is any room for you being a new artist. Where you might see 7 rappers out of 8 artists on a certain label, then that company may not be looking to sign any rappers at the moment until they can release the artist they already have. But then again if you are that good then other artist will not stand in your way, where the label might release your album first. You can never tell.

Reason Number 10 - You are just not what they want

You must remember that this industry is ran by people and not a machine that always makes the right choice, and you can actually have a all the bases covered and came with a damn near perfect demo package and still the A&R wasnt feeling it. Then dont be discouraged cause the person you gave your demo to could have been having problems at home, or about to be fired from that company or thinking about leaving, and they just couldnt hear that good marketable music, or they had already signed enough artist for the year.

And a few major reasons is a lack of development in the image, sound, and star quality of the artist, no experience in live performances or ever selling records as well as a lack of team players like a manager, agent and entertainment lawyer, cause it is always a major plus for a record company to see other professionals believing in your project as much as you do, to where it helps the record company believe in you as much.



How to Attract the Attention of Record Label A&r

Wednesday, July 29th, 2009
Al Fraser asked:


Step 1: Record a collection of tracks. Properly.

Contrary to what some people may think, few people are going to notice your abilities as an artist by listening to a rough demo. Either hire some studio time, enter into an agreement with an up-and-coming producer, or buy some studio gear. Gear is not expensive nowadays, and $800 should get you up and running.

Haven’t got the money? Save up for a while. There are thousands of artists doing the same thing - why not you? An A&R person wants to listen to a polished product. Represent yourself.

Step 2: Get some decent promo photographs made.

Myspace site got a picture of you taken with a web cam? Using your phone to shoot pictures? Not good enough, sorry guys. You’re going to need some great photos of yourself, airbrushed, the works.It’s the first thing an A&R person sees, I’ve found it has a huge bearing on whether your music get listened to or not.

Sounds harsh? I think so too, but that’s the way it is, so make your photos count.You can get great results with a digital camera, and some free photo software. It need not be expensive.

Step 3: Get a proper website.

This is a big one, and possibly one of the most important things you can do. Everyone has a myspace site, but to set yourself out from the crowd, I’ve found a proper website with domain (eg: www.youonline.com) is the way to go.

Web hosting is extremely cheap nowadays, and web development software is free, so there’s no cost barriers to getting this done.Your website must display three things clearly.

1) Your music. Try to have a track start playing when the site is opened.

2) Your photos.

3) Contact information. This is make or break. Make it clear and obvious.

So why the website? Why not stick to myspace? Well, I’ve found that A&R people usually have a million things going on at once. Their offices look like a war zone for the most part. They won’t be searching the web for sites - instead, they may have received a tip-off or recommendation about you.

Your website will be looked at in passing, so you don’t want to cloud the A&R persons attention with a glaring, comment ridden myspace page. Secondly, everyone has a myspace page. My brothers cat has a myspace page..

So set yourself apart from all the other players.But keep the myspace page as well. It’s good for everyone to see you have thousands of friends and fans too..

Step 4: Play out.

Now you’ve got your package together, start playing to audiences. Anywhere you think industry types may be. And it’s not just A&R people you’re after. Promoters, managers…all these people may see you perform. If you’re good, word will get passed around quickly enough, and opportunities will present themselves. Which leads me onto..

Step 5: Attract the attention of a music attorney.

Want to know who are the most under-rated, yet important people in the music industry? The music attorney. These people know everyone…A&R execs, managers, the works. If you manage to meet one (and it’s easier than you think..) doors will open for you, especially if the attorney becomes involved with you on a professional level.

Step 6: Go to industry days and events.

Here’s a story. Whilst I was promoting an artist, there was a music event on in town: A gathering of music equipment manufacturers, open to the general public. In the small print of the flyer, a “demo session” was advertised as part of the music event, giving folks the opportunity to take their demo CD’s along for the critique of music professionals.

So I went to the demo session, armed with a CD thinking they’d be a huge demand for this, and that there was only a small chance my CD would get listened to. I was wrong. There were about 6 people there, including me. So whilst downstairs, in the main hall, thousands of up-and-coming artists were playing with the new toys from instrument companies, I was upstairs with the attention of attorneys, managers and A&R men, all to myself. Can you believe this? It’s true.

The moral of this point? Keep your eyes and ears open for every chance you get.

Conclusion.

Hopefully, this has given you some ideas on how to get the attention of A&R folks. So what happened when the A&R guy from Sony came to my house? Well, he wasn’t impressed when he found out my artist didn’t write her own material..but that’s a tale for another day!