Posts Tagged ‘Record Labels’

Today’s Music Biz: #2 Outrageous reason to start a record label.

Sunday, November 8th, 2009
Simbizinfo asked: What are some of the sneakiest trick of some record labels? Here’s reason number two of 10 the Top 10 OUTRAGEOUS reasons to start your own record label.

How To Start A Record Label-J-Foss Going In

Saturday, October 31st, 2009
CooknPlatinum asked: Discover How You Can Instantly Start Receiving Recognition As An Artist,Producer, Or Record Label Owner And Learn How to Successful Start Up And Operate A Independent Record Label! This Is Everything in One Package That RECORD LABELS Don’t WANT YOU TO KNOW!!! Give Us A Call For Personal Training (313) 445-8145 Camp 4520

The Main Reasons You Are Not Getting A Record Deal

Friday, August 14th, 2009
ShonnyBoy asked:

For mostly stupid reasons, a lot of unsigned artist might feel that getting a record deal with a major or independent label is easy to do, and with a contract success will be guaranteed. And to do this, they feel that all they have to do is send out a few demos and BAM there it is like magic, but thats not the case cause over a million artist send in demos every year and over a million are rejected. So I will give you the major reasons why.

Reason Number 1 - Sending Unsolicited Recordings

Sending Unsolicited Recordings before you send out any demo packages you must always call, email, mail or fax the record label and ask permission to send in your demo package, cause most record companies do not accept demos just sent out of no where, just for the simple fact that you can send them your demo, and then a month later an artist comes out with a song similar to yours, and then you would be able to sue cause you could say that they got the idea from the demo that you send in, so for the record companies protection they keep track of whos demo CDs that they listen to, just to protect them from a lawsuit (note that all unsolicited demos will be returned without being opened) so dont waste your money on mailing the CD.

Reason Number 2 - The packaging

The next reason has to do with demo packaging cause 50% of all the demos sent out to record labels, look cheap with tape all over the envelope, or some messy hand writing with graffiti of their Rap group on the front and back, and the envelope without a return address are some of the main symptoms of poor packaging, but an overall poor quality in the packaging of the demo and the package will not be opened regardless of the music, cause they feel that if the package is of poor quality then the music and the artist are also of that same type of quality.

Reason Number 3 - Your press kit is weak

This one has to do with the contents of the package, as far the press kit it self cause this is what they look at first, before playing your demo. The press kit must include a biography, an 8×10 photo of the artist or group, and a demo cd, the first parts of the press kit are the most crucial to getting your song played, and the first of the two which is the picture and this needs to be of a good quality as far as the look of the picture and the quality of the paper.

(Please do not use a picture printed from your computer, Which may cause automatic rejection)

And the other part is the bio and after glancing at your picture and only if the picture is acceptable they will then begin to look at your bio and this should be a good look into the people behind the music, including where they came from, how they started in music, what they have done, in music and where they plan on going with their music.

(Please do not hand write your bio, For which may cause automatic rejection)

A failure to make a quality press kit will definitely hurt your chances of getting your cd played, and that is only half the battle, so it would be advised that you duplicate a good cd with printed labels.

(Please no handwriting on the cd)

Reason Number 4 - No Contact Information

No Contact Information on any thing. All material sent out must include the same contact information as far as your name, address, email, and phone number on the bottom of your bio, place this information on the bottom of the picture and on the demo CD, plus try to include a business card as well. Basically saying that, if the record labels do not know how to reach you, then they wont reach you. So it would just be a waste to even listen to the CD if they cant call you back.

Reason Number 5 - Your demo is wack

Now that we have gotten the A&Rs attention it now boils down to the demo CD, and first of all if your demo is wack then thats just it you are totally wack dont get mad or complain just accept it and move on to a new career, but if you are not wack and just misunderstood then the next few reasons should help you out of a slump.

Reason Number 6 - Poorly Recorded Material

Number 6 is a reason that sometimes is beyond an artists control, and it has to do with the quality of the recording of the CD, and its due to the fact that the recording industry is like the car industry, where the more you pay for a car then the better the car functions, but all cars not matter how much you pay do the same thing, Drive! And thats the same in music with studios where the expensive ones function better than the garage studios, but they basically do the same job.

So the main ways to record good music no matter where you record, is to first remember sound levels, please do not record your vocals or the beat to loud into your computer and do not burn the CD with the songs very loud, cause it would be better to turn up the volume on a low volume song than it is to turn down a song where the sound is to distorted from being burn on the CD to loud, and another sure fire way get a good sound is to find a good engineer to mix down your music. Plus it is always a plus to consider some digital mastering which would in turn make your CD ready for radio or video play.

Next in this section I want to talk about the format of the songs and how the vocals were recorded. Like 3-4 double and ad-lib tracks covering the main vocals of the song so the listener can barely understand, another bad thing is to have to long of an intro into the song where the beat is just playing or the artist is just talking for more than 8 bars. Then you need to cut that out of all your songs (demo wise) and get straight to the point weather you put a hook first or you start with a verse, do not let the intro go on for more than 4 bars.

Reason Number 7 - Picking the wrong type of songs

Reason number 7 has to do with you picking the Wrong type of songs to put on your demo CD, and the worst type of song off the top is a slow song. Unless you are vocalist and your main focus is to sing slow songs or ballads for the market that your are trying to sell records in, then it is best to be avoided especially if you plan on entering the mainstream market of record sales, cause in this business of music a majority of the time, it is accustomed to record singles for radio play, cause lots of radio play equals a high number of record sales for that album, and if an A&R cannot envision your music on the radio or playing in the club.

They would not be able to see you as an artist that can sell records. Now just try to think about how many slow songs are big on the radio right now. Not to many huh? Another thing to consider when choosing the songs for your demo is to eliminate to explicit lyrics from the music cause it kills all chances of it being played on the radio. I even remember an instance where a certain well know A&R took a demo he received to a club the same night he got it and had the Dj play the song to watch the crowd react to the music, and the response was so good that he signed the artist to a major label deal two days later. So you need to be ready.

Reason Number 8 - To many songs

Now we are at number 8, and it is to have too much material, just remember that a demo CD is not an album, so you do not need to put any skits on your demo or long shot outs to your crew and then do not put To much material on your demo, just because you and your friends think that all the songs are equally good, please dont fool your self, cause when you put to many songs, you start to test the patience of the A&R and it first shows a lack of professionalism and more of a desire to have your music heard than it is a desire to sell records.

Believe me that there is a big difference between the two. So try to understand that record companies are working hard to sell records and they are not here to share the art of music with the world. So just try to limit it to 3 or 4 songs and nothing over 5 minutes long.

Reason Number 9 - Sending The Wrong Music To The Wrong Label

Now we have reason number 9 and this one happens quite a lot and its when an artist sends their demo to any record labels and it has to do with reason number 1 where you need to call the labels and find out if they produce your type of music. Cause wouldnt it be a waste of time for a country singer to send her demo to def jam records. Where there will be a very high chance that she will be rejected due to the fact that this certain record company might not produce or even know how to market and sell that certain type of music. But then again the major labels can handle pretty much anything.

Still it is advised that you do your research by going on the companies websites and check the rosters of artist that have already signed to the labels and see if your style of music fits in or if there is any room for you being a new artist. Where you might see 7 rappers out of 8 artists on a certain label, then that company may not be looking to sign any rappers at the moment until they can release the artist they already have. But then again if you are that good then other artist will not stand in your way, where the label might release your album first. You can never tell.

Reason Number 10 - You are just not what they want

You must remember that this industry is ran by people and not a machine that always makes the right choice, and you can actually have a all the bases covered and came with a damn near perfect demo package and still the A&R wasnt feeling it. Then dont be discouraged cause the person you gave your demo to could have been having problems at home, or about to be fired from that company or thinking about leaving, and they just couldnt hear that good marketable music, or they had already signed enough artist for the year.

And a few major reasons is a lack of development in the image, sound, and star quality of the artist, no experience in live performances or ever selling records as well as a lack of team players like a manager, agent and entertainment lawyer, cause it is always a major plus for a record company to see other professionals believing in your project as much as you do, to where it helps the record company believe in you as much.

Starting an Independent Record Label

Friday, June 12th, 2009
Savion Stearns asked:


* You’re a good musician, and you might have written several songs. But the next steps aren’t clear. You’re not entirely sure what comes after the music has been written.

* After sending in your songs to a record label or two (or two hundred) you keep facing rejection after rejection.

* You’ve got your songs uploaded to a few online music directories, but no one’s listening. You’re starting to realize that just giving your music away doesn’t automatically turn listeners into fans.

* Playing the same dozen clubs in your hometown and neighboring cities is nice, but you crave more. The problem is, no one outside of your region has heard of you. How do you expand your listenership?

If the above issues strike home, you might want to consider how starting your own record label can help. If music is your passion, but you feel in over your head when it comes to the business, contracts, laywers, etc. then it may be a good time to explore such an option. To be a successful independent artist, you must promote your albums, get people to buy, seek wide distribution, tour, and eventually get radio play. Accomplishing these goals without any kind of record label or business abstraction at all will certainly make things more difficult.


Most artists that send their demos to record labels will never hear back. The fact is, as a musician, it’s next to impossible to get ahead in the music biz by hoping someone at a record label will “discover” your demo and be as passionate about it as you are. By continuing to send your demos to record labels, you’re wasting a lot of time and effort that could be better spent purusing more productive (and lucrative) goals.

It’s key to realize that the communication and relationship between an artist and his or her fans is the most important aspect of success in the music industry. There are dozens of businesses that want a share of that relationship: record labels, distributors, CD pressing agencies, and recording engineers to mention only a handful.

Most musicians lose a lot of money in this industry. Sad but true. Many artists will only see pennies of every $15 CD sold - and those are the “big ticket” names. The little guys end up owing their record label money for the cost of the sound engineering, music videos, and promotion. The little guy doesn’t stand much of a chance.

By sending in music to record labels, you also risk losing your songs. Though rare, having songs stolen by a record label - either in part or in full - does happen. It’s your word against theirs, but they’ve got billions of dollars and a team of bloodthirsty lawyers backing them up.


The primary reason to start your own record label comes down to money. As the head of your own record label, your share of the profits is much higher. Think dollars instead of cents. While most independent labels can’t match the distributing power of a major record label, you might eventually make just as much money as a signed artist.

Successful independent labels can also produce the music of other artists, or lease equipment to them. This is a great way to generate extra money! And by going down the road of profit sharing, an independent label can make everyone involved wealthy.

By owning your own record label you get to control how your music is sold, to whom, and how much it sells for. You get to determine how much your label get paid, you get to set your own touring schedule.

Even more important is the layer of protection that a record label offers. What if you get sued because you get sick and have to back out of an important gig? If you’re flying solo, then you personally have to absorb all of the costs of dealing with legal issues - you could even face bankruptcy. But if you’re promoting your music through your own a record label, a corporate entity, your label is the one that suffers the concequences - not you. This is an extremely important concept to understand, and one that could save you thousands of dollars in legal fees.

The bottom line is that starting a record label is an idea worth considering for any musician who is serious about success. It’s not easy - nothing worth doing ever is. But it is a great way to take your music, and your career, to the next level.

Record Label Contracts

Saturday, June 6th, 2009
Veronica Lane asked:

To start a recording from scratch is something most of us have dreamed of one time or another. There are many labels today than, perhaps, at any another time. And if this is what I think Lazy Acres is in progress of doing, what would you do otherwise?

Now, the label we are currently working on is located in a quiet area with a very small market niche. We have many years of experience in the expansion of recordings and the promotion of artists. So instead of trying to strip for a way to earn money, we are looking more for a platform to help the band to grow and develop. We are in a fast track with CDR in contrast to the ordinary CD, the cost and for the fans and we find that each version is achievable.

The first album for example, has sleeve popups and other extras to go along with each copy; the second album comes with a color of your own choice.

We will not spend money - this is accurate enough – on the beauty of the CDR model. We are working on the basis of the flexibility of the plan for we might just in time build a warehouse with little investment in each version.


The magnitude of this situation is that we have a much larger catalog on a certain data because not all our money is tied on the site. From there, Sam is a great graphic designer and my experience is connected with promotion thus we do not spend that much than other record labels do. Then, there is the mail order (originally) label which has its advantages. Ok, I wanted to say my own label of the future, but what kind of start-up costs will I be looking at?

Well, for our part, nothing. Working at the same kind of copy as the other record labels, we can probably create our first CD or DVD in bulk. We can change the name Wombat RECORDS to ten different names if we like. Just look at Indie labels over the last few years and most had a few artists who are in one or two genres. Lazy Acres is currently specializing in that direction or we can take the ‘well, what if we sign’ approach. As already mentioned ’sign’ is probably an erroneous term - but yes, we are open to anything. (My children are witnesses to that, as I do with them when bombarded with many bizarre questions. But Connor, 18 months, was open as a CD drive. I think it is likely to be me or our boys A and R).

MySpace Music Marketing Tips: How To Attract Record Labels

Tuesday, June 2nd, 2009
Clive Calvin asked:

The ultimate goal of most musicians who use MySpace is to attract a record label. Earning a contract to record an album can be a musician way into the music business. But what can you do to attract record labels? Creating a profile page and uploading music is a good start, but by no means is it the end of your marketing efforts. Below you will find a few tips on attracting a record label and getting them to take notice of your talent.

Tip#1: Upload a Variety of Songs

Just because you have to list the genre of music you perform does not mean you have to upload songs that only reflect that genre! Show record labels and fans that you have other musical interests by uploading songs that are different from one another. This will show your range, ability to attract fans from other genres, which increases your marketability, and prove to record labels you are worth investing in.

Tip#2: Fuel the Fan Fires

Record labels conduct searches on MySpace everyday looking for talented musicians. One way to get them to stop on your profile page is by showing them you have a strong fan base. The more people who visit your site, the more popular your page becomes on MySpace. Use the marketing tools available in order to gain fan interest.

Record labels want to sign those who are already experienced in working crowds during shows and who have a strong online presence because it makes promoting the music much easier. Having a strong fan base will make selling records and make promoting concert tours and other public appearances much easier.

Create a buzz on MySpace by attracting more fans to your page. Join MySpace forums, list upcoming events, and advertise your page on fliers, business cards, and other marketing materials as this will prompt fans who have seen your live shows to visit and download your songs.

Tip#3: Contacting Record Labels

Finding information about record labels is easy because of the internet. Instead of sending a copy of your latest CD or a few of your tunes, you can send record labels the link to your MySpace profile page. Music executives will appreciate this much more than strange pieces of mail showing up at their offices. Sending a quick email with your contact information may be enough to get you noticed. Research record companies to see which ones cater to your genre, and which ones accept email from musicians.

Tip#4: Selling Your Album on MySpace

If you release an album on your own, sell it on MySpace in order to generate buzz and also catch the attention of record labels. Being able to show record labels that you are a professional musician who is passionate about music will set you apart from the rest.

Attracting record labels will require you to remain diligent about marketing your music on MySpace. Uploading songs, using marketing tools such as blogs, video, and photos will help record labels get a better idea of what your sound. Use these marketing tools and others offered on MySpace go showcase your musical talents., Music Licensing Solutions for Independent Artists, Record Labels and Publishers

Tuesday, June 2nd, 2009
Eric de Fontenay asked:

LicenseQuote ( ) provides an easy to manage online solution that helps independent artists, labels, producers and music publishers to license their own songs, recordings and related assets directly from their own web sites.

“Private beta testing has been completed and we’ve been getting excellent feedback from a sampling of independent artists and labels” said Doron Erblich, co-founder and CTO of LicenseQuote.

The basic LicenseQuote (aka LQ) Music Licensing Calculator embed widget is free to all music artists, labels and publishers who have authority to license their various copyrighted music materials. LicenseQuote does not charge any sales commission percentage fee to the sellers and is also completely free to all music licensing buyers.

“Music publishers can use our music licensing calculator to sell, negotiate and manage their music licensing deals directly from their own web pages”, said Michael Borges, co-founder and CEO of LicenseQuote.

The LicenseQuote Free calculator features include: 17 standard licensing types, standard pricing profile, description and usage details shown for each selected license type, instant price calculations, “captcha” protected email sending, print out feature and option for custom bid price negotiation inquiry.

LicenseQuote - Music Licensing Solutions gives independent artists and music publishers unlimited opportunities to license their copyrighted materials to the music, advertising and broadcast media industries for commercial usage including: TV, cable, radio, advertising, film, video, theater, corporate, websites, music on hold, plus many more innovative and custom-requested applications.

The LicenseQuote service gives media industry buyers direct access to artists, labels and publishers who are offering LQ enabled music licensing sales via the internet directly from their own websites, blogs, emails or other pages.

The mission of LicenseQuote is to pioneer the world’s most powerful and cost effective self-managed music licensing solution for professional publishers (licensors) to enhance their opportunities for doing business directly with their existing or new customers including various media industry buyers.

The LQ business philosophy is focused on creating unlimited direct licensing access points where publishers, artists, labels and buyers can do business as never before. A variety of LQ music licensing service plans will provide a powerful array of self-managed sales and licensing tools to sellers and complimentary (free) self-service tools for buyers enabling both to trade efficiently and profitably over the internet on a truly “direct access” global market scale.


Based in Lake Elsinore, California, revolutionizes the way music is licensed. LicenseQuote plans to become the leader in providing advanced licensing tools for artists, producers and labels as well as the media industry and license buyers in general. LicenseQuote was founded by Michael Borges, CEO, Doron Erblich, CTO, and Bea Borges.

About Michael Borges

Michael Borges is founder/owner of AMsystem – Innovative Products and Services Since 1981. Michael’s entrepreneurial career has involved a number of successful new product inventions, developments and marketing ventures. Michael is also an active musician with a background in composing, arranging, recording, production, publishing and music licensing.

About Doron Erblich

Doron is veteran technology consultant and entrepreneur. He is the founder of Noya – Software Innovations, and in recent years has been working with entrepreneurs, start-up and tech companies from around the world bringing new software products, applications and services to market. He has been a part-time CTO for several start-up companies working on a variety of software technology projects.